Contact
contact@ivoschmetz.nl

 

After a collaboration of 20 years, I started fresh in 2023. This time on my own and under my own name. Starting over means redefining who you are and what you do. In my case, that is not so simple, because I enjoy many different things and am actively involved in various roles and activities. I am a graphic designer, but also a video editor, animator, initiator, web documentary maker, interaction designer, activist, writer, music programmer, board member, curator, publisher, and for some time now I have also been giving presentations and workshops. That sounds like a lot and perhaps unbelievable, but this is who I am and what I do.

This multidisciplinary character developed over time because I often take the initiative to set up projects and enjoy experimenting with different media and art forms. Some people see this multidisciplinary approach as unclear and confusing, but I see it primarily as a strength. It is a hybrid form of being a designer in which I connect different genres, activities, media, initiatives, art forms, and activism in order to work toward new perspectives and ideas.

As we all know, the world is not doing very well. There are many crises, conflicts, and divisions. Our society (or societies) are under pressure, and non-human life on Earth is suffering greatly as a result of human actions. I deliberately call it “human action,” because it is abundantly clear that our desires, our runaway consumer society, and our drive for infinite growth and profit maximization are the root causes of many problems. We want more than is possible, and that affects our lives, but especially those of non-human life and future generations.

This awareness plays a major role in defining who I am and what I want to do. I no longer want to work (or contribute) to making products and services more attractive or adding value to things that cause or contribute to the many crises facing humanity and the Earth. I do not want to tell my children and grandchildren one day that I was too cowardly to change, or that I knowingly continued doing something I knew was no longer viable, purely for the money.

I understand that you cannot simply withdraw from this system, and it would be hypocritical to claim that I do everything right. I don’t, and that is impossible anyway. What I do try to do is think carefully about the role my work plays in and for society. I work from a clear, content-driven motivation and try to bring others along in raising awareness and in the transition toward something new.

For that transition, we need a government that is committed to a just society and a healthy planet, rather than one that is narrowly focused on the economy. We need companies that operate within the planetary boundaries and do so in a fair way for everyone. And we need people who organize themselves around the commons and cooperative principles, encouraging governments and businesses to act from intentions that align with our responsibility to leave the Earth in a healthy state. We can do this—and we must.

I want to work for and with people, organizations, governments, and companies whose mission aligns with this intention to do everything possible to make life better, healthier, and fairer for everyone, including non-human life on Earth. It will not happen overnight, but I am convinced that together we can create a new collective vision of the future. A new narrative in which we no longer measure success, freedom, and happiness by how much money and power we have to satisfy all our needs, but by things that truly matter.

How did I get to where I am now?

OLVG
After a fantastic time at the art academy in Maastricht, I moved to Amsterdam in 1997. I started working at a video company and fairly quickly (by coincidence) ended up in the squatting scene. In 1998, I helped squat two wings of the OLVG hospital in Amsterdam East. I used one of the many rooms as a studio and turned another into living space. As a growing group of people made the building increasingly livable, we also began organizing exhibitions and parties.
It was a fairly well-organized happy chaos that I will never forget, but unfortunately, after about a year and a half we were evicted and had to look for a new building.

OT301
A few months after the eviction, on November 14, 1999, the OT301 (the former film academy of Amsterdam) was squatted. Slightly smaller than the hospital, but still a fantastic building with many possibilities to continue the combination of living, working, and public functions that we had started at the OLVG.
In 2006, we succeeded as a collective of artists and creatives in purchasing the building from the municipality and converting it into collective ownership. In this case, collective ownership means that the property always belongs to the association and not to individuals within the collective. No one can sell their share.
The purchase was an important moment for the survival of OT301, but also for me personally. I became increasingly interested and involved in the organizational structure. I became music programmer for our concert/club space and joined the board of the association in 2011.
As a member of the PR & communications committee, I designed many flyers, posters, banners, and the OT301 website. Together with others, I also produced the books Autonomy Through Dissent (2013) and 20 Years of Art & Autonomy (2019).
I am still active at OT301 as a music programmer and board member. Since early 2023, together with a team of volunteers from Amsterdam Alternative, I have also been responsible for the programming of the cinema on the second floor of the building.

3-1
When the software ReBirth RB-338 was released in 1996, I came into contact with making music for the first time. In my student room in Maastricht, I often spent nights experimenting with beats and synths on my computer. I knew little to nothing about making music and worked purely from intuition and feeling. It was a proces of listening, trying, listening, trying... for hours on end, almost in a trance.
In the squatted OLVG hospital in Amsterdam East, music-making became more serious, and together with Peter Rutten I founded the electropunk band 3-1. In the beginning, we made rather abstract, vague, unpredictable noise, but as we learned more, our tracks became more structured and refined. To emphasize the raw character of the music, we bombarded audiences during live performances with homemade videos and an absurdist live show featuring dancers and a kickboxer.
We played as 3-1 until 2010, performing hundreds of live shows at festivals, museums, clubs, and squats in the Netherlands and abroad. After 3-1 ended, I worked with Peter and Paul on a new project called TCS, but due to lack of time we did not continue it for long. In 2016, Peter and I started making music again under the name Van Pi, and later with Lilian Hak under the name LHISPR.

310k
After several self-initiated projects and some VJ performances, Paul Rickus and I officially started the design studio 310k in April 2003. In addition to the usual print assignments of the time — such as posters, flyers, record covers, visual identities (logo, letterhead, business cards), magazines, and books — we had a strongly multidisciplinary approach from the beginning. We especially liked working on projects that combined print with online and video content.
During the twenty years we worked together under the name 310k, we handled a wide range of cultural and commercial commissions. It was a wonderful period in which we learned a lot, realized many of our ambitions, and had a great deal of fun. As we always called it ourselves, 310k was pure magik (with a k). In 2023, after exactly twenty years of collaboration, we decided to stop. Time for something new — a new direction, new goals, and new ambitions. We still share a studio, but now each of us works under our own name.

Basserk
At the end of 2005, Peter Rutten, Paul Rickus, and I decided to release the music of our electropunk band 3-1 on our own record label, Basserk Records. Our first EP, Don’t Destroy, was pressed on vinyl in an edition of 500 copies. To our surprise, all the records sold fairly quickly. Encouraged by this, more releases soon followed.
We started with electropunk and electro, but soon decided to release music in other genres as well — ranging from electro and techno to ambient, bass, future beats, breaks, and more. We did not want to limit ourselves to a single genre, as long as the music was raw and energetic.
Despite some small successes and the potential to make something “big” out of it, Basserk is and remains a “small” label. Unfortunately, we do not have the time or resources to scale it up. Basserk still exists because we love music and enjoy helping young, talented artists find their way.

Abnormal Data Processing
Abnormal Data Processing is a small, independent publishing house that I founded in 2011 to publish self-initiated projects, both independently and in collaboration. As a graphic designer, I have always had a love for books and special print work. The digital world is of course fantastic, with all its multimedia and interactive possibilities and its wide reach, but it lacks the physical element.
The beauty of print lies in the details: the choice of paper, format, binding, printing technique, ink, cover, and, of course, the design. The physical aspect — and even the smell of freshly printed material — still makes “old-fashioned” printing very worthwhile.

Amsterdam Alternative
Amsterdam Alternative emerged in the spring of 2015 as a collective of non-commercial (sub)cultural free spaces in Amsterdam. Our initial goal was to establish a new, supportive network to connect the remaining free spaces in the city and help them when needed.
After several meetings, I proposed — as a graphic designer — the idea of creating a free newspaper together, in which we could share both our programming and background articles to strengthen the voice of the underground.
In addition to the newspaper, we also organize public discussions, documentary and film screenings, the AADE, podcast recordings, and the AA Academy, together with a large group of volunteers. These activities take place at various locations in the city, but since early 2023 mainly at the Ventilator cinema/bar in OT301.
To help realize new free spaces in Amsterdam, we initiated Vrij Beton and later created an extensive modular web documentary on collective ownership. As one of the co-founders, I am still closely involved in Amsterdam Alternative — not only as the designer of the newspaper, website, events, Vrij Beton, and the web documentary, but also as a coordinator, connector, and driving force.

Writing
I no longer remember exactly when or why, but my love for stories and books has been with me since my early years. This fascination with the printed book is twofold. On the one hand, there is the designer in me who loves the craft of bookmaking — the form, paper, ink, binding, and the physical experience of a book. On the other hand, there is the content: the story. Words take you on adventures, provide insights, spark interest, and largely shape how others think about something or someone. Our society is, to a large extent, built on stories.
The urge to write only emerged at art school, but the things I wrote there never saw the light of day. My book Archivo De Pivo (2011) contains my first writings, but they are entirely subordinate to the visual character of the book. It was only when I co-founded Amsterdam Alternative in 2015 and started working on the newspaper that I decided to write seriously for publication. I have since written many articles and do so with great pleasure, while also realizing that I still have much to learn.

Vrij Beton
In January 2019, during a public discussion at the Vrijpaleis, we launched a plan under the banner of Amsterdam Alternative to fight for new free spaces — permanent free spaces in collective ownership. The then-unnamed project was enthusiastically received and was given the name “Vrij Beton” a few months later.
The project continues to be received with great enthusiasm, but to this day we have not yet succeeded in realizing the first Vrij Beton free space in Amsterdam. This is not surprising, as acquiring property or space is extremely difficult in a city where space is scarce and prices are extremely high.

Web Documentary
After an online and offline campaign to introduce Vrij Beton to a broad audience, I organized several public discussions to involve interested and curious people in this ambitious project. I quickly noticed that many people had little understanding of how collective ownership works and often confused it with communism.
Instead of stubbornly continuing with Vrij Beton, I decided to take a step back and first create a foundation in the form of an archive or knowledge base — a place I could refer people to when it became clear they lacked knowledge about collective ownership. Because there are so many inspiring stories and examples, I decided to turn it into an modular web documentary: a project in which video, audio, photography, and text are combined to bundle knowledge and make it freely available to a wide audience. The web documentary has been online since early 2024 at www.collectiveownership.net.

Workshops and Presentations
The alternation between different projects and roles is challenging and gives me a great deal of satisfaction and energy. This hybrid form has developed over time because I have always combined my design practice with self-initiated, autonomous projects and collective, non-commercial initiatives such as OT301, Amsterdam Alternative, Vrij Beton, and the web documentary on collective ownership.
Because of this diversity of activities, I am not only an experienced designer and maker, but also have extensive experience organizing within collective, horizontal structures. In recent years, I have regularly shared my knowledge and experience through presentations, lectures, and workshops. Depending on the location, theme, and setting, I speak about topics such as design and creativity, free spaces, self-organization, self-management, taking initiative, collectivity, entrepreneurship, solidarity, activism, and collective ownership. I tailor the content of each presentation or workshop to the desired focus.

Future
I do not know exactly what the future will bring, but I hope to continue designing, organizing, initiating, writing, and doing all the other things I enjoy for a long time to come. I hope there will be many more meaningful self-initiated projects, collaborations, and commissions. At the same time, I want to keep experimenting, learning, and reflecting on the role of my work within the larger whole.
The role of the designer who makes something look beautiful when what lies behind the façade is ugly or harmful is certainly not mine. I only want to work for organizations, brands, companies, and people who think beyond their own wallets and are willing to commit themselves to a hopeful, healthy, and just future for everyone.

 

he Written Word

Writer of Fiction and Non-Fiction
My love for stories and books has been with me since childhood. I have always read a lot and had a fascination with the printed book. This fascination is twofold. On one hand, there is the designer in me who loves the craft of making books: working with the layout, paper, ink, binding, and the physical experience a book provides. On the other hand, there is the content itself: the story. Words take you on adventures, provide insights, spark interest, and largely shape how others think about something or someone. Our society is, in large part, built on stories.

Although I always loved reading, I never wrote as a child; that urge only developed at art school. The first texts I published were in my book Archivo De Pivo (2011), but these were entirely subordinate to the visual nature of the book. It wasn’t until 2015, when I co-founded Amsterdam Alternative with several others and we started producing a bi-monthly newspaper, that I decided to start writing for publication.

Of course, I realize that I still have much to learn and can always improve to grow as a writer, but that doesn’t matter. I hope to get a little better with practice, but more importantly, I genuinely enjoy writing both fiction and non-fiction. There is nothing more important than challenging yourself and doing things you enjoy.

Amsterdam Alternative

When I co-founded Amsterdam Alternative (AA) in 2015 with a few others and we decided to create a bi-monthly newspaper, it triggered me to write more. I had written before but never with the intention of publishing or integrating it into the work I was already doing.
The AA newspaper was the perfect medium to start experimenting, as it began fairly small-scale and the topics aligned with my interests and experiences.

I wrote the following articles for Amsterdam Alternative, among others:

Amsterdam Alterntive issue #050
Issue #50 (04-09-2023) - Foreword for the 50th edition of the AA newspaper > Read on the AA website

The Political Program for the desirable future
Issue #41 (28-02-2022) - Introductory article for the municipal elections edition > Read oon the AA website (also in English).

Expedition Free Space: New hope or a new tool for urban development?
Issue #39 (08-11-2021) - Article about Expeditie Vrije Ruimte (municipal policy) > Read on the AA website

The night as a source of life
Issue #38 (12-09-2021) - Article about Amsterdam’s nightlife > Read on the AA website

The ins & outs of collective ownership
Issue #36 (19-05-2021) - Article about collective ownership > Read on the AA website

Vrij Beton: Acting together for new Free Spaces, permanent and collectively owned
Issue #35 (24-03-2021) - Artikel over Vrij Beton > Lees op de AA website

Bleeps, Beats & Bass, 10 Years of Basserk Records
Issue #09 (14-10-2016) - Article about Basserk Records > Read on the AA website

 
 
 
 
 

Collective Ownership Webdocu

From 2022 to 2024, I worked extensively on the webdocu on collective ownership (www.collectiveownership.net)
). The webdoc combines video, photography, audio, and articles. It is a multimedia project that serves as an inspirational document, archive, and manual. More about this project can be found on this page.

The webdoc is one of the most rewarding projects I’ve ever worked on because it brings together almost everything I find interesting and enjoyable, both creatively and substantively. This includes the design process, making the videos (interviews, editing, animation), the UI and UX, research, and, last but not least, writing articles.

Articles I wrote for the webdoc include (in no particular order):

Introduction: Webdoc Collective Ownership
01-09-2023 - Introductory article for the webdoc > In Dutch (also in English)

What is Ownership
01-07-2023 - About the history and different forms of ownership > In Dutch (also in English)

Rights for Nature
16-07-2023 - About the movement that fights for nature’s rights > In Dutch (also in English)

Amsterdam Alternative
23-06-2023 - About the Amsterdam Alternative collective > In Dutch (also in English)

OT301 - From squat to rental to collective ownership
21-02-2023 - About the origin and development of the free space OT301 > In Dutch (also in English)

Vrij Beton – The free space of the Future is permanent and collectively owned
28-04-2023 - About the origin and ambitions of Vrij Beton > In Dutch (also in English)

Veerhuis for the Earth
28-02-2023 - About the Veerhuis and founder Henry Mentink > In Dutch (also in English)

BuyWorld, Saving the earth by buying It
07-06-2023 - bout how BuyWorld protects nature areas by buying them collectively > In Dutch (also in English)

Ecodorp Boekel
10-07-2023 - About the inspiring Ecodorp Boekel in Brabant > In Dutch (also in English)

Housing Association Gelderland as an example for realizing affordable collective housing 
14-03-2023 - Interview with Bernard Smit > In Dutch (also in English)

Interview with Arie Lengkeek about the Rotterdam housing cooperative and his book Operation Housing Cooperative
14-07-2023 - Interview about the cooperative movement > In Dutch (also in English)

Expedition Free Space – Municipal Policy for Realizing and Protecting Free Space
10-05-2023 - About Amsterdam’s free space policy > In Dutch (also in English)

Squatting: From prohibition to obligation
19-08-2023 - About the value of squatting > In Dutch (also in English)

The balance between ‘I’ and ‘We’
02-08-2023 - About the power of collectivity > In Dutch (also in English)

Free Spaces are indefinable but essential
15-06-2023 - Introduction for the chapter on free spaces > In Dutch (also in English)

Community as the Basis for Our Society
02-08-2023 - Introduction for the chapter on policy, politics, and financing > In Dutch (also in English)

An ode to the activist
13-05-2023 - Introduction for the chapter on activism > In Dutch (also in English)

Webdoc Conclusion
20-09-2023 - inal article of the webdoc > In Dutch (also in English)

 
 
 

Pak Mokum Terug: Housing struggle in a squatting city

The book Pak Mokum Terug (by Mokum Kraakt) is about reclaiming the city as a shared refuge for everyone, what that means, and what is needed to achieve it.

Mokum Kraakt is an Amsterdam collective of young activists and artists that combines squatting with artistic projects. This is their first book. It is co-published by Uitgeverij Spookstad and Starfish Books. Spookstad is a new publisher that emerged from the Amsterdam squatting movement and aims to publish radical texts in an accessible way.

Contributors include AFGA, We Are Here, B.Carrot, Harriët Bergman, Billie Nuchelmans, Daniel Loick, Ivo Schmetz, Soumeya Bazi, Rodrigo Fernandez, Werker Collective, Jimo, Hidaya Nampiima, Sorab Roustayar, Nina Boelsums & Bambi de Vries, Green Tribe, René Boer, Melissa Koutouzis, Elaine Michon, Wouter Pocornie, Hansfoto, and others.

I wrote an article for the book about free spaces.

ISBN: 978 94 92 734 273
Available via Starfish books

 
 

Glamcult magazine

In 2021, Glamcult magazine invited me to write an article for issue #136. The theme of this edition was “Joyride” and focused on the revival of nightlife (post-COVID) and punk attitudes.
Glamcult is a progressive platform exploring the frontlines of avant-garde culture by collaborating with influential, carefully selected individuals freely and without yielding to authority.

 
 

20 years of Art & Autonomy

In November 2019, to celebrate OT301’s 20th anniversary, I created and published a photo book. After the more theoretical Autonomy by Dissent, I wanted to archive OT301’s history and energy through photography.

20 Years of Art & Autonomy contains over 700 photos of events in the studios (concert hall), cinema, gallery, kitchen, and glimpses into the ateliers and living spaces of OT301 members. It provides a good overview of life inside this remarkable free space in Amsterdam, though, of course, it is impossible to capture everything.

Besides coordinating, producing, and designing the book, I also wrote the foreword.

More information about OT301 can be found here.

Release date: 14 November 2019
ISBN: 9789081786423