Contact
contact@ivoschmetz.nl

 

After a collaboration of 20 years, I started fresh in 2023. This time on my own and under my own name. Starting over means redefining who you are and what you do. In my case, that is not so simple, because I enjoy many different things and am actively involved in various roles and activities. I am a graphic designer, but also a video editor, animator, initiator, web documentary maker, interaction designer, activist, writer, music programmer, board member, curator, publisher, and for some time now I have also been giving presentations and workshops. That sounds like a lot and perhaps unbelievable, but this is who I am and what I do.

This multidisciplinary character developed over time because I often take the initiative to set up projects and enjoy experimenting with different media and art forms. Some people see this multidisciplinary approach as unclear and confusing, but I see it primarily as a strength. It is a hybrid form of being a designer in which I connect different genres, activities, media, initiatives, art forms, and activism in order to work toward new perspectives and ideas.

As we all know, the world is not doing very well. There are many crises, conflicts, and divisions. Our society (or societies) are under pressure, and non-human life on Earth is suffering greatly as a result of human actions. I deliberately call it “human action,” because it is abundantly clear that our desires, our runaway consumer society, and our drive for infinite growth and profit maximization are the root causes of many problems. We want more than is possible, and that affects our lives, but especially those of non-human life and future generations.

This awareness plays a major role in defining who I am and what I want to do. I no longer want to work (or contribute) to making products and services more attractive or adding value to things that cause or contribute to the many crises facing humanity and the Earth. I do not want to tell my children and grandchildren one day that I was too cowardly to change, or that I knowingly continued doing something I knew was no longer viable, purely for the money.

I understand that you cannot simply withdraw from this system, and it would be hypocritical to claim that I do everything right. I don’t, and that is impossible anyway. What I do try to do is think carefully about the role my work plays in and for society. I work from a clear, content-driven motivation and try to bring others along in raising awareness and in the transition toward something new.

For that transition, we need a government that is committed to a just society and a healthy planet, rather than one that is narrowly focused on the economy. We need companies that operate within the planetary boundaries and do so in a fair way for everyone. And we need people who organize themselves around the commons and cooperative principles, encouraging governments and businesses to act from intentions that align with our responsibility to leave the Earth in a healthy state. We can do this—and we must.

I want to work for and with people, organizations, governments, and companies whose mission aligns with this intention to do everything possible to make life better, healthier, and fairer for everyone, including non-human life on Earth. It will not happen overnight, but I am convinced that together we can create a new collective vision of the future. A new narrative in which we no longer measure success, freedom, and happiness by how much money and power we have to satisfy all our needs, but by things that truly matter.

How did I get to where I am now?

OLVG
After a fantastic time at the art academy in Maastricht, I moved to Amsterdam in 1997. I started working at a video company and fairly quickly (by coincidence) ended up in the squatting scene. In 1998, I helped squat two wings of the OLVG hospital in Amsterdam East. I used one of the many rooms as a studio and turned another into living space. As a growing group of people made the building increasingly livable, we also began organizing exhibitions and parties.
It was a fairly well-organized happy chaos that I will never forget, but unfortunately, after about a year and a half we were evicted and had to look for a new building.

OT301
A few months after the eviction, on November 14, 1999, the OT301 (the former film academy of Amsterdam) was squatted. Slightly smaller than the hospital, but still a fantastic building with many possibilities to continue the combination of living, working, and public functions that we had started at the OLVG.
In 2006, we succeeded as a collective of artists and creatives in purchasing the building from the municipality and converting it into collective ownership. In this case, collective ownership means that the property always belongs to the association and not to individuals within the collective. No one can sell their share.
The purchase was an important moment for the survival of OT301, but also for me personally. I became increasingly interested and involved in the organizational structure. I became music programmer for our concert/club space and joined the board of the association in 2011.
As a member of the PR & communications committee, I designed many flyers, posters, banners, and the OT301 website. Together with others, I also produced the books Autonomy Through Dissent (2013) and 20 Years of Art & Autonomy (2019).
I am still active at OT301 as a music programmer and board member. Since early 2023, together with a team of volunteers from Amsterdam Alternative, I have also been responsible for the programming of the cinema on the second floor of the building.

3-1
When the software ReBirth RB-338 was released in 1996, I came into contact with making music for the first time. In my student room in Maastricht, I often spent nights experimenting with beats and synths on my computer. I knew little to nothing about making music and worked purely from intuition and feeling. It was a proces of listening, trying, listening, trying... for hours on end, almost in a trance.
In the squatted OLVG hospital in Amsterdam East, music-making became more serious, and together with Peter Rutten I founded the electropunk band 3-1. In the beginning, we made rather abstract, vague, unpredictable noise, but as we learned more, our tracks became more structured and refined. To emphasize the raw character of the music, we bombarded audiences during live performances with homemade videos and an absurdist live show featuring dancers and a kickboxer.
We played as 3-1 until 2010, performing hundreds of live shows at festivals, museums, clubs, and squats in the Netherlands and abroad. After 3-1 ended, I worked with Peter and Paul on a new project called TCS, but due to lack of time we did not continue it for long. In 2016, Peter and I started making music again under the name Van Pi, and later with Lilian Hak under the name LHISPR.

310k
After several self-initiated projects and some VJ performances, Paul Rickus and I officially started the design studio 310k in April 2003. In addition to the usual print assignments of the time — such as posters, flyers, record covers, visual identities (logo, letterhead, business cards), magazines, and books — we had a strongly multidisciplinary approach from the beginning. We especially liked working on projects that combined print with online and video content.
During the twenty years we worked together under the name 310k, we handled a wide range of cultural and commercial commissions. It was a wonderful period in which we learned a lot, realized many of our ambitions, and had a great deal of fun. As we always called it ourselves, 310k was pure magik (with a k). In 2023, after exactly twenty years of collaboration, we decided to stop. Time for something new — a new direction, new goals, and new ambitions. We still share a studio, but now each of us works under our own name.

Basserk
At the end of 2005, Peter Rutten, Paul Rickus, and I decided to release the music of our electropunk band 3-1 on our own record label, Basserk Records. Our first EP, Don’t Destroy, was pressed on vinyl in an edition of 500 copies. To our surprise, all the records sold fairly quickly. Encouraged by this, more releases soon followed.
We started with electropunk and electro, but soon decided to release music in other genres as well — ranging from electro and techno to ambient, bass, future beats, breaks, and more. We did not want to limit ourselves to a single genre, as long as the music was raw and energetic.
Despite some small successes and the potential to make something “big” out of it, Basserk is and remains a “small” label. Unfortunately, we do not have the time or resources to scale it up. Basserk still exists because we love music and enjoy helping young, talented artists find their way.

Abnormal Data Processing
Abnormal Data Processing is a small, independent publishing house that I founded in 2011 to publish self-initiated projects, both independently and in collaboration. As a graphic designer, I have always had a love for books and special print work. The digital world is of course fantastic, with all its multimedia and interactive possibilities and its wide reach, but it lacks the physical element.
The beauty of print lies in the details: the choice of paper, format, binding, printing technique, ink, cover, and, of course, the design. The physical aspect — and even the smell of freshly printed material — still makes “old-fashioned” printing very worthwhile.

Amsterdam Alternative
Amsterdam Alternative emerged in the spring of 2015 as a collective of non-commercial (sub)cultural free spaces in Amsterdam. Our initial goal was to establish a new, supportive network to connect the remaining free spaces in the city and help them when needed.
After several meetings, I proposed — as a graphic designer — the idea of creating a free newspaper together, in which we could share both our programming and background articles to strengthen the voice of the underground.
In addition to the newspaper, we also organize public discussions, documentary and film screenings, the AADE, podcast recordings, and the AA Academy, together with a large group of volunteers. These activities take place at various locations in the city, but since early 2023 mainly at the Ventilator cinema/bar in OT301.
To help realize new free spaces in Amsterdam, we initiated Vrij Beton and later created an extensive modular web documentary on collective ownership. As one of the co-founders, I am still closely involved in Amsterdam Alternative — not only as the designer of the newspaper, website, events, Vrij Beton, and the web documentary, but also as a coordinator, connector, and driving force.

Writing
I no longer remember exactly when or why, but my love for stories and books has been with me since my early years. This fascination with the printed book is twofold. On the one hand, there is the designer in me who loves the craft of bookmaking — the form, paper, ink, binding, and the physical experience of a book. On the other hand, there is the content: the story. Words take you on adventures, provide insights, spark interest, and largely shape how others think about something or someone. Our society is, to a large extent, built on stories.
The urge to write only emerged at art school, but the things I wrote there never saw the light of day. My book Archivo De Pivo (2011) contains my first writings, but they are entirely subordinate to the visual character of the book. It was only when I co-founded Amsterdam Alternative in 2015 and started working on the newspaper that I decided to write seriously for publication. I have since written many articles and do so with great pleasure, while also realizing that I still have much to learn.

Vrij Beton
In January 2019, during a public discussion at the Vrijpaleis, we launched a plan under the banner of Amsterdam Alternative to fight for new free spaces — permanent free spaces in collective ownership. The then-unnamed project was enthusiastically received and was given the name “Vrij Beton” a few months later.
The project continues to be received with great enthusiasm, but to this day we have not yet succeeded in realizing the first Vrij Beton free space in Amsterdam. This is not surprising, as acquiring property or space is extremely difficult in a city where space is scarce and prices are extremely high.

Web Documentary
After an online and offline campaign to introduce Vrij Beton to a broad audience, I organized several public discussions to involve interested and curious people in this ambitious project. I quickly noticed that many people had little understanding of how collective ownership works and often confused it with communism.
Instead of stubbornly continuing with Vrij Beton, I decided to take a step back and first create a foundation in the form of an archive or knowledge base — a place I could refer people to when it became clear they lacked knowledge about collective ownership. Because there are so many inspiring stories and examples, I decided to turn it into an modular web documentary: a project in which video, audio, photography, and text are combined to bundle knowledge and make it freely available to a wide audience. The web documentary has been online since early 2024 at www.collectiveownership.net.

Workshops and Presentations
The alternation between different projects and roles is challenging and gives me a great deal of satisfaction and energy. This hybrid form has developed over time because I have always combined my design practice with self-initiated, autonomous projects and collective, non-commercial initiatives such as OT301, Amsterdam Alternative, Vrij Beton, and the web documentary on collective ownership.
Because of this diversity of activities, I am not only an experienced designer and maker, but also have extensive experience organizing within collective, horizontal structures. In recent years, I have regularly shared my knowledge and experience through presentations, lectures, and workshops. Depending on the location, theme, and setting, I speak about topics such as design and creativity, free spaces, self-organization, self-management, taking initiative, collectivity, entrepreneurship, solidarity, activism, and collective ownership. I tailor the content of each presentation or workshop to the desired focus.

Future
I do not know exactly what the future will bring, but I hope to continue designing, organizing, initiating, writing, and doing all the other things I enjoy for a long time to come. I hope there will be many more meaningful self-initiated projects, collaborations, and commissions. At the same time, I want to keep experimenting, learning, and reflecting on the role of my work within the larger whole.
The role of the designer who makes something look beautiful when what lies behind the façade is ugly or harmful is certainly not mine. I only want to work for organizations, brands, companies, and people who think beyond their own wallets and are willing to commit themselves to a hopeful, healthy, and just future for everyone.

 

Free Space Festival

Festival, Programming, Design, Video…
In 2022, I (on behalf of Amsterdam Alternative) initiated the Vrije Ruimte Festival (Free Space Festival). After a successful first edition, the second edition took place in 2025.
In addition to initiating the project, I was responsible for a large part of the organization and programming of the festival, and I also designed all the graphic materials for both editions.

Why the Free Space Festival?
With this festival, we aim to highlight the fantastic free spaces (vrijplaatsen) that Amsterdam is home to. Unfortunately, these free spaces are under pressure from both large capital and the shortage of space in the city. Everything revolves around financial value and profit-making, while the social, community, and (sub)cultural value and functions that free spaces provide for neighborhoods and communities are often overlooked.
Through diverse programs at various locations across the city, we draw attention to these free spaces and demonstrate that much more is possible beyond the commercial mainstream.

Documentary
We recorded a large part of the events in 2022 and 2025—not only for archival purposes, but with the intention of producing a documentary after the 2025 festival. This documentary will be produced in 2026 and will, besides documenting the festival, explore the importance of free space, celebrate the 10-year anniversary of Amsterdam Alternative, and serve as an ode to the city of Amsterdam.

 
 
 

Vrije Ruimte Festival 2025
In 2025, the second edition of the Vrije Ruimte Festival took place across ten different locations. This edition was organized in celebration of the 10-year anniversary of Amsterdam Alternative and the 750th anniversary of Amsterdam. A double celebration, but above all a series of inspiring events highlighting the importance of free space in the city. 

Locations
The locations participating in the Vrije Ruimte Festival 2025 were: OT301, Bajesdorp/GROND, Ru Paré, Cinetol, De Appel, OCCII, Treehouse NDSM, Filmhuis Cavia, Plantage Dok, and Het Groene Veld, all free spaces affiliated with Amsterdam Alternative.
In collaboration with the programmers of each venue, we developed an inspiring program tailored to both the location and the festival. Programs ranged from music and film to workshops, exhibitions, performances, dance, public discussions, and more.

Artists
Dozens of bands, DJs, artists, dancers, speakers, and more performed at the Vrije Ruimte Festival 2025, including:
Mathilde Nobel, Marcelle (Another Nice Mess), I-F, Eboman, Kleine Crack & Slagter, Know V.A., BlackBeach, Stealth Piano, Dead Fish Fuck, Acabaret, Duo Oscar Jan Hoogland - Jannes Deurvorst, Sarkawt Hamad, De Kraters, Los Calxunxos Tuyos, Dennis Bajram, Prom Vagabonds, L’orne, Daddy Unchained, Pim Piet, Dear Omen, Nils Keppel, Andrea Elera, Dominique Chabot, Ivo Bol, Jasna Veličković Judith Baten, Marc Nukoop, Mazen Al Ashkar, Nicolás Conde, Quartier Mustache, Pascal Gielen, Sepp Eckenhaussen, Koen Bartijn, Jack Segbars, Thomas Siderius, Henk van Arkel, Yazan Khalili, MG Pringgotono, Heidi Leenaarts, Eva Schippers, The Goldfish Club, Molk Factory, Ibelisse Guardia Ferragutti, Hondenfokker...
For a full overview, see the AA website.

With thanks to
Many thanks go to all participating venues and artists, and to Stichting Amsterdam 750, which provided financial support for the festival as part of the 750-year anniversary of Amsterdam.

 
 
 
 
 
 
 

Ring party 2025
Between October 27, 2024 and October 27, 2025, Amsterdam celebrated its 750th anniversary on a grand scale. One of the most extravagant events was the Ring party. The “Ring” is the highway encircling Amsterdam, of which approximately 15 kilometers were used on Saturday, June 21, 2025, for a large public event.
On behalf of Amsterdam Alternative, I initiated our participation and took on a major part of the organization, programming, and communication.

Amsterdam Alternative programmed 150 meters of art, culture, fun, activism, and other forms of “alternative” expression to represent Amsterdam’s alternative scene. When the opportunity to participate arose, we added the day to our Vrije Ruimte Festival - making it the 11th event in an already packed program.
Despite extreme heat (over 30°C), the event was a huge success. Around 200,000 people came to dance, drink, laugh, and enjoy the activities on the highway.
The Ring Festival took place on Saturday, June 21 (midsummer day) 2025, from 10:00 to 22:00, on the Ring from Amsterdam East to the Coentunnel in the West. In addition to our program, there were sports activities (marathon, basketball, freerunning, padel, breakdance, etc.), music stages, fashion shows, exhibitions, dance performances, workshops, weddings, a forest with 750 trees, and many bars and food stalls.

Programmeing
Our program was developed after distributing an open call through the Amsterdam Alternative network, ensuring that everyone in our community had the opportunity to submit a proposal. Unfortunately, we had to turn down many bands and performers — not because they lacked quality, but simply because we could not accommodate everyone.
On our section of the Ring, we created multiple stages/floors/installations featuring live music, DJs, theater, performance, dance, improvisation, spoken word, drag performance, circus, and other artistic and activist forms of expression.

Artists included: Cardigan Inn, Malvae, The Earwurms, Binnarytrees, Verzet per couplet, Burchhhha, Kiss My Knoblauch, Sonny Schnitzler, Bellamy Grove, DJ Sjaak, Hunk, Esther Dune, Sjamsoedin, Danny Keen, Trash Skeleton, GAZE, Tatiana Spiewak & Sarah Zechut, Vleesch doch Visch, Bom!, Afrogrooves, MadamBruno, Fereng, Dolle Mina’s, Stealth Piano, and more.

Thanks
In addition to all the artists, we would like to thank Moving Arts and all Amsterdam Alternative volunteers for the great collaboration—this event would not have been possible without their help. Thanks also to Stichting Amsterdam 750 and the Ring Festival organization for their trust.

 
 
 
 
 
 
 
 
 
 

Vrije Ruimte Festival 2022
In late November 2022, I organized the first edition of the Vrije Ruimte Festival for Amsterdam Alternative. The four-day festival was a collaboration with the Envisioning Free Space Conference from Berlin and took place at multiple locations across the city.
During the day, there was an extensive conference program with discussions, presentations, and workshops at the Former Stadstimmertuin, OT301, and De School. In the afternoons and evenings, there was a (sub)cultural program with music, documentary screenings, exhibitions, open studios, and tours at OCCII, OT301, Nieuwland, Rijkshemelvaart, Het Groene Veld, Cinetol, Filmhuis Cavia, and other free spaces.

Our first serious attempt to organize a real Amsterdam Alternative festival emerged from the idea of hosting a series of public discussions as part of the Collective Ownership web documentary, which we started in 2022. Even before we had concrete plans for the event, we got in touch with Space of Urgency, a bureau from Berlin. They wanted to move their annual Envisioning Free Space Conference from Berlin to Amsterdam in 2022, in collaboration with De Expeditie Vrije Ruimte (municipality), to increase support for free space among civil servants and policymakers.
I wasn’t interested in talking about free space only with policymakers and invited guests — I especially wanted to show the residents of Amsterdam what free space is and all the beautiful things happening in these free spaces. This led to a joint project under two different names: on the one hand, the Envisioning Free Space Conference, and on the other, the Vrije Ruimte Festival. Both took place simultaneously, spread over four days at multiple locations across the city.
Practically and from a promotional perspective, this was not the most convenient choice, but that didn’t matter. We felt it was important to create something that was truly ours—done in our own way, with our own DNA. A project that we could continue later on without relying on the collaboration with the Berlin conference.

Artiests
Dozens of bands, DJs, artists, dancers, and speakers performed at the Vrije Ruimte Festival 2022, including:
Eboman, Andy Ex, Citrux, NeOanderthal, Dennis Weijers, DJ Jackie D, Staatseinde, Matthew Antler, Arrocha, Human Form, DJ Zgjim, vvvoidangel, Great Joy, Poodle, BoterBoter, Dark Time Sunshine, Torbjørn, Habibi Guns, The Mystifiers, Vitamin X, Savage Beat, Dead Stool Pigeon, Asbest Boys, De Woezels, De Rug Relaxers...
For a full overview of artists and events, see the AA website.

 
 
 
 
 
 

The Future of the Vrije Ruimte Festival
We do not yet know when the next Vrije Ruimte Festival will take place, but there is a strong chance of a third edition. The first two editions were very successful and well attended — more than enough reason to continue.​