Contact
contact@ivoschmetz.nl

 

After a collaboration of 20 years, I started fresh in 2023. This time on my own and under my own name. Starting over means redefining who you are and what you do. In my case, that is not so simple, because I enjoy many different things and am actively involved in various roles and activities. I am a graphic designer, but also a video editor, animator, initiator, web documentary maker, interaction designer, activist, writer, music programmer, board member, curator, publisher, and for some time now I have also been giving presentations and workshops. That sounds like a lot and perhaps unbelievable, but this is who I am and what I do.

This multidisciplinary character developed over time because I often take the initiative to set up projects and enjoy experimenting with different media and art forms. Some people see this multidisciplinary approach as unclear and confusing, but I see it primarily as a strength. It is a hybrid form of being a designer in which I connect different genres, activities, media, initiatives, art forms, and activism in order to work toward new perspectives and ideas.

As we all know, the world is not doing very well. There are many crises, conflicts, and divisions. Our society (or societies) are under pressure, and non-human life on Earth is suffering greatly as a result of human actions. I deliberately call it “human action,” because it is abundantly clear that our desires, our runaway consumer society, and our drive for infinite growth and profit maximization are the root causes of many problems. We want more than is possible, and that affects our lives, but especially those of non-human life and future generations.

This awareness plays a major role in defining who I am and what I want to do. I no longer want to work (or contribute) to making products and services more attractive or adding value to things that cause or contribute to the many crises facing humanity and the Earth. I do not want to tell my children and grandchildren one day that I was too cowardly to change, or that I knowingly continued doing something I knew was no longer viable, purely for the money.

I understand that you cannot simply withdraw from this system, and it would be hypocritical to claim that I do everything right. I don’t, and that is impossible anyway. What I do try to do is think carefully about the role my work plays in and for society. I work from a clear, content-driven motivation and try to bring others along in raising awareness and in the transition toward something new.

For that transition, we need a government that is committed to a just society and a healthy planet, rather than one that is narrowly focused on the economy. We need companies that operate within the planetary boundaries and do so in a fair way for everyone. And we need people who organize themselves around the commons and cooperative principles, encouraging governments and businesses to act from intentions that align with our responsibility to leave the Earth in a healthy state. We can do this—and we must.

I want to work for and with people, organizations, governments, and companies whose mission aligns with this intention to do everything possible to make life better, healthier, and fairer for everyone, including non-human life on Earth. It will not happen overnight, but I am convinced that together we can create a new collective vision of the future. A new narrative in which we no longer measure success, freedom, and happiness by how much money and power we have to satisfy all our needs, but by things that truly matter.

How did I get to where I am now?

OLVG
After a fantastic time at the art academy in Maastricht, I moved to Amsterdam in 1997. I started working at a video company and fairly quickly (by coincidence) ended up in the squatting scene. In 1998, I helped squat two wings of the OLVG hospital in Amsterdam East. I used one of the many rooms as a studio and turned another into living space. As a growing group of people made the building increasingly livable, we also began organizing exhibitions and parties.
It was a fairly well-organized happy chaos that I will never forget, but unfortunately, after about a year and a half we were evicted and had to look for a new building.

OT301
A few months after the eviction, on November 14, 1999, the OT301 (the former film academy of Amsterdam) was squatted. Slightly smaller than the hospital, but still a fantastic building with many possibilities to continue the combination of living, working, and public functions that we had started at the OLVG.
In 2006, we succeeded as a collective of artists and creatives in purchasing the building from the municipality and converting it into collective ownership. In this case, collective ownership means that the property always belongs to the association and not to individuals within the collective. No one can sell their share.
The purchase was an important moment for the survival of OT301, but also for me personally. I became increasingly interested and involved in the organizational structure. I became music programmer for our concert/club space and joined the board of the association in 2011.
As a member of the PR & communications committee, I designed many flyers, posters, banners, and the OT301 website. Together with others, I also produced the books Autonomy Through Dissent (2013) and 20 Years of Art & Autonomy (2019).
I am still active at OT301 as a music programmer and board member. Since early 2023, together with a team of volunteers from Amsterdam Alternative, I have also been responsible for the programming of the cinema on the second floor of the building.

3-1
When the software ReBirth RB-338 was released in 1996, I came into contact with making music for the first time. In my student room in Maastricht, I often spent nights experimenting with beats and synths on my computer. I knew little to nothing about making music and worked purely from intuition and feeling. It was a proces of listening, trying, listening, trying... for hours on end, almost in a trance.
In the squatted OLVG hospital in Amsterdam East, music-making became more serious, and together with Peter Rutten I founded the electropunk band 3-1. In the beginning, we made rather abstract, vague, unpredictable noise, but as we learned more, our tracks became more structured and refined. To emphasize the raw character of the music, we bombarded audiences during live performances with homemade videos and an absurdist live show featuring dancers and a kickboxer.
We played as 3-1 until 2010, performing hundreds of live shows at festivals, museums, clubs, and squats in the Netherlands and abroad. After 3-1 ended, I worked with Peter and Paul on a new project called TCS, but due to lack of time we did not continue it for long. In 2016, Peter and I started making music again under the name Van Pi, and later with Lilian Hak under the name LHISPR.

310k
After several self-initiated projects and some VJ performances, Paul Rickus and I officially started the design studio 310k in April 2003. In addition to the usual print assignments of the time — such as posters, flyers, record covers, visual identities (logo, letterhead, business cards), magazines, and books — we had a strongly multidisciplinary approach from the beginning. We especially liked working on projects that combined print with online and video content.
During the twenty years we worked together under the name 310k, we handled a wide range of cultural and commercial commissions. It was a wonderful period in which we learned a lot, realized many of our ambitions, and had a great deal of fun. As we always called it ourselves, 310k was pure magik (with a k). In 2023, after exactly twenty years of collaboration, we decided to stop. Time for something new — a new direction, new goals, and new ambitions. We still share a studio, but now each of us works under our own name.

Basserk
At the end of 2005, Peter Rutten, Paul Rickus, and I decided to release the music of our electropunk band 3-1 on our own record label, Basserk Records. Our first EP, Don’t Destroy, was pressed on vinyl in an edition of 500 copies. To our surprise, all the records sold fairly quickly. Encouraged by this, more releases soon followed.
We started with electropunk and electro, but soon decided to release music in other genres as well — ranging from electro and techno to ambient, bass, future beats, breaks, and more. We did not want to limit ourselves to a single genre, as long as the music was raw and energetic.
Despite some small successes and the potential to make something “big” out of it, Basserk is and remains a “small” label. Unfortunately, we do not have the time or resources to scale it up. Basserk still exists because we love music and enjoy helping young, talented artists find their way.

Abnormal Data Processing
Abnormal Data Processing is a small, independent publishing house that I founded in 2011 to publish self-initiated projects, both independently and in collaboration. As a graphic designer, I have always had a love for books and special print work. The digital world is of course fantastic, with all its multimedia and interactive possibilities and its wide reach, but it lacks the physical element.
The beauty of print lies in the details: the choice of paper, format, binding, printing technique, ink, cover, and, of course, the design. The physical aspect — and even the smell of freshly printed material — still makes “old-fashioned” printing very worthwhile.

Amsterdam Alternative
Amsterdam Alternative emerged in the spring of 2015 as a collective of non-commercial (sub)cultural free spaces in Amsterdam. Our initial goal was to establish a new, supportive network to connect the remaining free spaces in the city and help them when needed.
After several meetings, I proposed — as a graphic designer — the idea of creating a free newspaper together, in which we could share both our programming and background articles to strengthen the voice of the underground.
In addition to the newspaper, we also organize public discussions, documentary and film screenings, the AADE, podcast recordings, and the AA Academy, together with a large group of volunteers. These activities take place at various locations in the city, but since early 2023 mainly at the Ventilator cinema/bar in OT301.
To help realize new free spaces in Amsterdam, we initiated Vrij Beton and later created an extensive modular web documentary on collective ownership. As one of the co-founders, I am still closely involved in Amsterdam Alternative — not only as the designer of the newspaper, website, events, Vrij Beton, and the web documentary, but also as a coordinator, connector, and driving force.

Writing
I no longer remember exactly when or why, but my love for stories and books has been with me since my early years. This fascination with the printed book is twofold. On the one hand, there is the designer in me who loves the craft of bookmaking — the form, paper, ink, binding, and the physical experience of a book. On the other hand, there is the content: the story. Words take you on adventures, provide insights, spark interest, and largely shape how others think about something or someone. Our society is, to a large extent, built on stories.
The urge to write only emerged at art school, but the things I wrote there never saw the light of day. My book Archivo De Pivo (2011) contains my first writings, but they are entirely subordinate to the visual character of the book. It was only when I co-founded Amsterdam Alternative in 2015 and started working on the newspaper that I decided to write seriously for publication. I have since written many articles and do so with great pleasure, while also realizing that I still have much to learn.

Vrij Beton
In January 2019, during a public discussion at the Vrijpaleis, we launched a plan under the banner of Amsterdam Alternative to fight for new free spaces — permanent free spaces in collective ownership. The then-unnamed project was enthusiastically received and was given the name “Vrij Beton” a few months later.
The project continues to be received with great enthusiasm, but to this day we have not yet succeeded in realizing the first Vrij Beton free space in Amsterdam. This is not surprising, as acquiring property or space is extremely difficult in a city where space is scarce and prices are extremely high.

Web Documentary
After an online and offline campaign to introduce Vrij Beton to a broad audience, I organized several public discussions to involve interested and curious people in this ambitious project. I quickly noticed that many people had little understanding of how collective ownership works and often confused it with communism.
Instead of stubbornly continuing with Vrij Beton, I decided to take a step back and first create a foundation in the form of an archive or knowledge base — a place I could refer people to when it became clear they lacked knowledge about collective ownership. Because there are so many inspiring stories and examples, I decided to turn it into an modular web documentary: a project in which video, audio, photography, and text are combined to bundle knowledge and make it freely available to a wide audience. The web documentary has been online since early 2024 at www.collectiveownership.net.

Workshops and Presentations
The alternation between different projects and roles is challenging and gives me a great deal of satisfaction and energy. This hybrid form has developed over time because I have always combined my design practice with self-initiated, autonomous projects and collective, non-commercial initiatives such as OT301, Amsterdam Alternative, Vrij Beton, and the web documentary on collective ownership.
Because of this diversity of activities, I am not only an experienced designer and maker, but also have extensive experience organizing within collective, horizontal structures. In recent years, I have regularly shared my knowledge and experience through presentations, lectures, and workshops. Depending on the location, theme, and setting, I speak about topics such as design and creativity, free spaces, self-organization, self-management, taking initiative, collectivity, entrepreneurship, solidarity, activism, and collective ownership. I tailor the content of each presentation or workshop to the desired focus.

Future
I do not know exactly what the future will bring, but I hope to continue designing, organizing, initiating, writing, and doing all the other things I enjoy for a long time to come. I hope there will be many more meaningful self-initiated projects, collaborations, and commissions. At the same time, I want to keep experimenting, learning, and reflecting on the role of my work within the larger whole.
The role of the designer who makes something look beautiful when what lies behind the façade is ugly or harmful is certainly not mine. I only want to work for organizations, brands, companies, and people who think beyond their own wallets and are willing to commit themselves to a hopeful, healthy, and just future for everyone.

 

Collective ownership webdocu

An online source of inspiration, archive, and practical guide in one
When I initiated Vrij Beton in 2019 (under the umbrella of Amsterdam Alternative) to work toward the realization of new free spaces (in collective ownership), I assumed that everyone knew what collective ownership was and how it worked. After an online and offline campaign to introduce the project to a wider audience, I organized several public discussions to involve interested and curious people in this ambitious project.

I quickly noticed that many people did not actually know how collective ownership works and often confused it with communism. Instead of continuing with Vrij Beton, I decided it would be wiser to first create a foundation in the form of an archive or knowledge base — a place I could refer people to when it became clear that they lacked knowledge about collective ownership. Because there are so many inspiring stories and examples, I decided to turn it into an expandable web documentary.

The result is a project in which video, audio, photography, and text are combined to bring knowledge together and make it freely accessible to a broad audience. The web documentary has been online since early 2024 at www.collectiveownership.net

 

Web documentary

Collectiefeigendom.nl is a collection of educational and hopeful stories, as well as explorations of alternative ways of organizing society. The main subject of this web documentary is collective ownership (non-profit), but it also addresses related topics that connect to our struggle for a fairer and better society for everyone. 

I chose a web documentary rather than a “traditional” documentary for several reasons. The first and most important reason is depth. A traditional documentary has a clear beginning and end and usually lasts no more than two hours. Within that timeframe, everything has to be told, which means that many beautiful interviews and source materials are heavily edited. Editing often means losing valuable material and showing things out of context.
In this web documentary, we present both short edits and full-length interviews. As a viewer, you decide how deeply you want to dive in and how much material you want to watch, listen to, and/or read.
The second reason for choosing the web documentary format is its ongoing expandability. A traditional documentary is finished at some point and then remains unchanged. This modular web documentary is an open system: richly filled at launch, but always with the possibility to grow through the addition of many more inspiring stories.
A third advantage is accessibility. The web documentary is simply online and therefore accessible to anyone with an internet connection. There are no cinemas, licenses, tickets, or other barriers that limit access or viewing.
The fourth reason is the use of multiple media formats: video, audio, photography, and text. You can read, listen, and watch. This combination is interesting because each medium is experienced and consumed differently. Watching a video, for example, is more passive than reading, but it can be done together with others, while listening works well when traveling. In this way, we hope to reach a broad audience.

 
 
 
 
 
 

Video’s

The web documentary is a multimedia project in which video, audio, text, and photography are combined to bring together the inspiring stories of people and organizations working with collective ownership. 

Almost all interviews for this project were recorded on video and preserved in their full-length versions. One of the strengths of a web documentary is that it allows for layered storytelling and the storage of large amounts of information for those who want to go deeper. We deliberately chose to publish the full-length versions of all interviews online, thereby building a true archive of shared knowledge and experience.

Currently, around 45 long video interviews (25–50 minutes per video) are available online, and this number is likely to grow in the future, as the project was intentionally designed to be expandable. In addition to the long interviews, there are also short versions and thematic summaries (ownership, collectivity, free spaces, housing, etc.). In total, approximately 40 hours of video content are currently available online.

As an additional feature, we built a screening tool into the web documentary. This page contains a complete list of all videos included in the project. The videos can be dragged into the player in any order, allowing visitors to compile their own custom documentary.

 
 
 
 
 
 
 

Webdocu soft launch event

At the end of September 2023, after one and a half years of work, version 1.0 of the web documentary was launched at the Ventilator cinema in OT301. This was a “soft launch,” as we were not entirely finished, but far enough along to go online and allow early visitors to explore the vast project.

To celebrate the launch of this special project, we organized an event at OT301 on September 30. From 15:00 hrs to midnight, there was a continuous screening of video material from the web documentary in the Ventilator cinema. In the Ventilator bar, several live podcast recordings and a small exhibition took place.
The live podcast recordings featured conversations with David (Kapitaloceen), Harsono (De Nieuwe Meent), Chandar (De Warren), Eline (Lenteland), Sofie (Regeneratie Coöperatie), and myself. These recordings can be listened to online.
We closed the evening with a party from 22:00 to 03:00 hrs in the club space downstairs, with music by Alberta Balsam (live), DJ Overdose, Kimmah, and Zgjim.

 
 
 
 

Envisioning Free Space Conference

On Friday, January 19, 2024, we organized a full evening program at OT301 about collective ownership as part of the Envisioning Free Space Conference. Just before this presentation, the second version of the web documentary was published. This version was much more complete than the one launched in September and marked the official start of our promotional efforts.

I opened the evening with an extensive presentation. While navigating through the web documentary on a large screen, I explained how the project came about, what can be found within it, and why collective ownership is a highly practical and important approach in the transition toward a fairer, healthier, and more pleasant world for everyone.
After my presentation, there were two short introductions: one by Jan Geurtsen about VrijCoop, and one by myself about Vrij Beton. These introductions were intended primarily as inspiration and to demonstrate that there are organizations that do not view collective ownership of housing and free spaces merely at an individual or project level, but are instead focused on developing scalable structures and methods to spread the concept more broadly.
This was followed by a public discussion on the value of collective ownership for free spaces, moderated by Jaap Draaisma. Participants included Eva Schippers (PlantageDok), Merel Kamp (Het Domijn), Marije Baalman (Bajesdorp), and myself (OT301, Amsterdam Alternative).
In a second panel discussion, the topic was explored in even greater depth through the lens of two places that are not yet in collective ownership but aspire to be. Participants in this discussion included Nico Redeker (De Fik), Kiek Korevaar (ZZW Rafelrand), and myself.

 
 
 
 
 

Interviews / awards

Creating this web documentary was a substantial undertaking that occupied me for more than two years. It is a fantastic project in which many of my ambitions and interests — design, video, writing, free spaces, collective ownership, activism — come together. However, creating something does not automatically mean it will be widely seen, so continuous promotion is necessary to bring the project to people’s attention.  

Fortunately, after its launch, the project was widely shared by contributors and interviewees through websites, social media, and newsletters. The number of unique visitors has since grown to approximately 5,000 per month. Special thanks go to Jeroen Junte for his interview on Design Digger, René Boer for his in-depth review on Archined, Joram Kraaijeveld for his interview on the Metropolis M website, and De Appel for the extensive presentation and the opportunity to organize a seminar on collective ownership.
I hope that many more people—newspapers, websites, podcasts, radio, TV, blogs, and magazines—will pay attention to the web documentary. I am therefore generally available for interviews, presentations, workshops, and similar activities.
Another pleasant surprise was the project’s nomination for the ADCN Dutch Creativity Awards in the category “Next Impact.” Unfortunately, we did not win, but any attention for the project and its subject matter is more than welcome—not for me personally, but to further spread the ideas promoted through this project.

 
 

Future / ambition

The web documentary is already online, but as mentioned, it is a modular system designed to be expanded with new knowledge, experiences, and inspiring stories. At the moment, work is underway on subtitling all videos so that people who do not speak Dutch can also watch and listen.
We aim to reach as many people as possible — not to collect clicks or likes, but because we are convinced that collective ownership can play an important role in the transition toward a better, healthier, and more pleasant world for everyone.

This web documentary mainly focuses on the Netherlands, both because there are many inspiring projects and stories to be found here and because we lacked the resources to work internationally. Of course, there are also countless inspiring stories beyond the Dutch borders—in France, Germany, Switzerland, Spain, the United States, Japan, Brazil, Mexico, and many other countries. All over the world, people are organizing themselves collectively in ways that are not based on endless growth, profit maximization, and the exploitation of people and nature.
I hope to secure the financial means in the near future to develop a second version of this web documentary featuring a collection of international stories. Another ambition is to develop an educational project based on this subject. I believe it is important to make people aware—at as young an age as possible—of the importance of collectivity, solidarity, and the fair organization of ownership structures and society. Where better to start than in education?

Thanks
Special thanks for the realization of this project go not only to all those involved (writers, translators, sound designers, camera crew, interviewees), but also to AFK and the Stimuleringsfonds Creatieve Industrie, who believed in this project and provided funding. After completion, we also received financial support from Stichting DOEN and Rabobank to make the video subtitles possible.